Mysticism Studies in Literature is an open-access, double-blind, peer-reviewed journal published by Allameh Tabataba’i University, the leading university in Humanities and Social Sciences in Iran. Mysticism Studies in Literature has been established to provide an intellectual platform for national and international researchers working on issues related to mysticism studies.

To allow for easy and worldwide access to the most updated research findings, the journal is set to be an open-access journal. 

The journal charges four million Rials to compensate a part of the arbitration fee, and if the article is accepted, additonally six million Rials will be charged from the authors for a part of the costs of processing the articles, the rest of the costs will be financially supported by Allameh Tabatabai University.

Recreation and Adaptation of Mystical Concepts in The Conference of the Birds: A Structural, Content-Based, and Linguistic Comparison of the Persian, Turkish, and English Versions

Pages 17-85

https://doi.org/10.22054/msil.2026.20943

somaye aghababaei

Abstract Comparative literary analysis enables a deeper understanding of how concepts are represented and reinterpreted across diverse linguistic and cultural contexts. The adaptation of mystical ideas for young readers is especially significant, as adolescents are often unfamiliar with the language and style of classical mystic texts and usually require semantic localization to comprehend abstract concepts.
This qualitative study examines three adaptations of ʿAṭṭār's The Conference of the Birds—one in Persian, one in Turkish, and one in English—each written for a young audience with the aim of conveying mystical concepts to a new generation. The research explores similarities and differences in textual structure, linguistic features and register, narrative style, content transformation, and visual semiotics (including color, calligraphy, and illustrations). The findings indicate that each version employs a distinct strategy for meaning-making: The Persian adaptation remains highly faithful to the classical literary style of the source text; the Turkish version prioritizes simplified language and narrative fluidity to align with contemporary youth discourse; and the English adaptation introduces more extensive content modification to communicate mystical concepts to modern adolescent readers. The Persian and Turkish versions demonstrate closer alignment in cultural and linguistic components due to a shared Islamic cultural heritage. Across all three versions, the transmission of mysticism is achieved not only through lexical and narrative adaptation but also through an integrated semiotic system combining verbal and visual elements.

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The Comparative Analysis of Imam Muhammad Ghazali’s Reslat-Altair with Eric-Emmanuel Schmitt’s Oscar and the Lady in Pink

https://doi.org/10.22054/msil.2026.85709.1181

Mahmoud Afrouz

Abstract Mysticism possesses a special place in Persian literature. Rumi, Attar, and Imam Muhammad Ghazali are among the key mystical figures who have created great masterpieces in Persian literature. The present paper aimed to compare a work from French and a story from Persian literature. The story of Oscar and the Lady in Pink is a modern French story written by Eric-Emmanuel Schmitt and the story of Reslat-Altair is a classic story written in Arabic by Imam Muhammad Ghazali. The paper focuses on the mentioned literary works to identify their similarities and differences and draw conclusions based on them. The current study uses library resources and the content analysis method. It is based on American-School which focuses on evidence drawn from the text understudy and the aesthetic values of the compared works. In this school, finding historical evidence has no place in data analysis. The main framework includes the seven stages of mystical journey mentioned in Attar’s Mantegh-al-tair: quest/desire, love, wisdom, detachment/self-determination, unity/monotheism, wonderment, poverty/indigence and annihilation/death. The findings suggested that almost all stages of mystical journeys in the works understudy were comparable. Despite some differences, there are many similarity points between the two stories. One of the main reasons of this similarity could be the belonging of the two works to the field of religious literature and their dealing with the common theme of “mystical journey”. Characteristics such as perfectionism, truth-seeking and common human spirit play a pivotal role in the emergence of such exquisite and comparable mystical works.

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An Analysis of the Philosophical Meaning of Life from Khayyam's Perspective, Based on the Rubaiyat

https://doi.org/10.22054/msil.2026.84348.1175

Tina Ashoor, Javad Amin Khandaqi

Abstract The meaning of life is a philosophical concept, and literature shares a common ground with philosophy, as their ultimate ends converge in the depths of "human existence." This study has selected, as its case study, an analysis of this philosophical concept in the poetry of Omar Khayyam, the great 11th-century Persian poet, whose work is inherently philosophical. This research seeks to investigate the philosophical interpretation of the category of 'the meaning of life' from the perspective of Omar Khayyam. It aims to answer the following question: What is the meaning of life according to a sage like Khayyam? Moreover, what are the characteristics of a meaningful life in his view? The nature of this research is applied. The methodology is analytical-descriptive, with data collected through library research. Data analysis is qualitative and employs a philosophical-mystical approach. The case study for this research is Khayyam's Rubaiyat. This seminal work was selected using a non-random, purposive sampling method. This study demonstrates that, from Khayyam's perspective, the meaning of life falls under the framework of subjective naturalism, which is considered a primary source for understanding meaning-creation. According to Khayyam, it is the individual human being who, based on their own mental framework, can bestow meaning upon life. Furthermore, regarding the ten principal components related to the meaning of life, his work offers strategies for making life more meaningful.

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A Discourse Analysis of the Narratives of Rumi and Shams' Encounters Utilizing Norman Fairclough's Methodological Approach

https://doi.org/10.22054/msil.2026.82625.1153

Mina Behnam

Abstract This study re-examines seven existing narratives of the encounter between Shams and Rumi, exploring the discourses embedded within them. The central research question is whether the dominant discourse in the texts is formulated to preserve ideological power relations within the layers of the social structure or to undermine and transform them. Employing a qualitative-quantitative method based on Norman Fairclough's three-dimensional model (description, interpretation, and explanation), the author first analyzes the linguistic structure and features of the texts using Hallidayan Systemic Functional Grammar. It then proceeds to analyze the discourses articulated in the production and consumption of the texts, culminating in an analysis of the broader social context according to Fairclough's methodological principles.

The findings indicate that each narrative, by representing the developments arising from the hegemony of mystical discourse, introduces variations into the prevailing discursive order of the text, influenced by the authors' proximity to the location of the encounter. Furthermore, the degree of the authors' mystical and scholarly interactions is linked to their purposes and intentions in narrating the event. Among these, the most prominent component foregrounded in the discourse of all these texts, around which other elements are articulated, is the renunciation of formalistic and exoteric knowledge, which in any form or at any level can be misleading.

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A Tragic Reading of the Devil's Narration in Attar's Works

https://doi.org/10.22054/msil.2026.84704.1178

Saba Habib zadeh nesami, Farzad Baloo, siavash haghjou

Abstract Iblis has been reflected in various ways in Persian classical literature, both poetry and prose. Some have approached this story negatively, aligning with the apparent Qur’anic teachings. Conversely, others have taken a positive perspective, viewing Iblis as a tragic hero defeated by fate an approach contrary to the Qur’an and the norms of classical society, influenced by Ash‘arite thought. Meanwhile, a group avoided taking a clear stance on Iblis. Attar is often placed in this latter category. However, this research argues that Attar, much like Hallaj and Ayn al-Qudat, predominantly defends Iblis in his poetry. Even in those verses that seem to align with a conventional Qur’anic understanding, traces of sympathy toward Iblis are evident, with Attar merely recounting the narrative.
In Attar’s poetic works, a portrayal of Iblis emerges that can be analyzed within the framework of Aristotelian tragedy. Using a descriptive-analytical approach, this study explores the core elements of tragedy and how they manifest in Iblis’s character and story. Through his works, Attar narrates events where Iblis, as a complex figure, plays a pivotal role. By his actions and choices, he creates circumstances that ultimately present him as a tragic hero, evoking empathy and sympathy in the audience, and resulting in spiritual catharsis and purification for the reader.

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Pragmatism in Khaqani Sufism

https://doi.org/10.22054/msil.2026.89245.1214

SeyyedMorteza SajjadiNejad, Alireza Fouladi

Abstract despite extensive researches about khaqani , the functional aspect of his sufism has been studied from the perspective of practical philosophy . the present article aims at reviewing khaqani's sufism as a lived experience and testable in the light of pragmatism 's criteria . the main purpose of this paper is to examine the similarities between the empirical realization of mystical teachings in khaqani's mysticism and the practical truth of belief in the philosophy of pragmatism . the research method is qualitative - comparative . the data are extracted from khaqani's prose and prose works and historical reports of historical biographical sources and based on three conceptual levels of " " outcome " " , " " usefulness " " and " " the realm of fulfillment " " . the findings show that khaqani's mystical teachings , such as solitude , solitude , love , poverty and immortality , have empirical and experiential functions and as far as they can work in the mental , moral and social life of man . his sufism , like james 's philosophical system , believes truth not in constant entities but also in the power of action , i.e. the result and the biological usefulness of faith . on this basis , khaqani's mysticism creates a system of " the practical truth of belief " in which meaning is fulfilled only in the context of experience and human life .

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The Geography of Mystical and Political Progression in Nizami Ganjavi’s Haft Peykar: "Iran, the Heart of the World"

https://doi.org/10.22054/msil.2026.89258.1215

Faegheh Abdollahian Blochi

Abstract The term “heart of the world,” which is employed in Halford J. Mackinder’s political geography theory to explain the strategic significance of the central Eurasian regions, particularly Iran, appears earlier in Persian poetry and is reflected in Nizami Ganjavi’s Haft Peykar.This study, using a textual-analytical approach, demonstrates that mystical progression in Haft Peykar is grounded in geography. Specifically, three locations play a central role in the structure of the Haft Peykar, an aspect largely overlooked in previous interpretations:
The land of Iran, the realm of the “best,” representing a center of power;
The seven domes, which serve as spaces for worship and devotion; and
The cave, which symbolizes the protagonist’s (the ruler Bahram Gur) return to the spiritual realm and attainment of paradise at the conclusion of the narrative.
Mystical progression in Haft Peykar unfolds through the ruler’s experience (Bahram Gur’s lived poetic journey). While he attains the “best place” (the heart of the world) effortlessly, his spiritual journey requires effort, particularly within the seven domes and the cave. Through this progression, Bahram Gur successfully navigates a mystical-geographical path, ultimately achieving both geography of power and geography of meaning and union, and consciously relinquishing the former in favor of the latter, embarking on the journey to the cave and attaining paradise.

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Freedom, Determinism, and Human Agency: A Comparative Study of Spinoza's and Iqbal's Thoughts in the Light of Quranic Thought

https://doi.org/10.22054/msil.2026.87005.1200

ATA UL KAREEM, Gholamreza mastaliparsa

Abstract A comparative study of determinism in the thought of Spinoza and Iqbal—especially in light of Qur'anic teachings—is one of the profound and challenging topics in philosophy and theology. This article examines the contrasting views on freedom, determinism, and human agency in the philosophies of Baruch Spinoza and Muhammad Iqbal. While Spinoza presents a rational determinism grounded in metaphysical monism, Iqbal, drawing upon Islamic thought and particularly the Qur'an, offers a dynamic perspective on moral autonomy and spiritual identity. This research identifies the fundamental contrasts between these two worldviews in terms of their metaphysical assumptions, theological implications, and anthropological consequences. The analysis reveals how Iqbal’s Qur'an-based theocentrism, emphasizing the real and transformative nature of human freedom, critiques and transcends Spinoza’s rational determinism. Spinoza defines freedom as rational submission to necessity, Iqbal sees it as the active power to choose, create, and evolve in moral communion with God. This philosophical difference represents a profound metaphysical conflict and also points to fundamentally different understandings of what it means to be human.

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The study of the nature of Islam and faith and their relationship from the perspective of theology in the Al-I'tiqad Treatise by Abd-Allah Khafif, Qout Al-Qoloub by Abou Talib Makki, and the explanation of Al-Ta'arrof by Mustamli Bukhari

https://doi.org/10.22054/msil.2026.90073.1224

Sayyed Hossein Mostafavi, Ahmad Khatami, Maryam Abolghasemi

Abstract After explaining the nature and pillars of Islam and faith, and issues such as knowledge, increase and decrease in faith, and examining the relationship between Islam and faith, we examined these topics using a descriptive-analytical method in Ibn Khafif's Risala al-Itiqad, Makki's Qut al-Qulub, and Bukhari's Sharh al-Ta'raf al-Mustamil. All three authors have introduced Islam as being contrary to faith and faith as the inner core of Islam. This may have its roots in the Sufi belief that they consider religion and doctrine to consist of Sharia, Tariqah, and Truth, with Sharia being its outer aspect and shell, and Tariqah being its inner path and conduct, and Truth being its result and fruit. Therefore, the Sufi view of faith is not consistent with theologians and jurists who consider faith to be merely the recitation of the two testimonies or the performance of obligatory duties; Rather, mystics and Sufis have considered faith to be the aspect of certainty that is created within a person by performing religious duties, obedience, worship, and avoiding forbidden things, and ultimately ends in the state of observation and kindness. The theological beliefs of the authors in question are consistent with the beliefs of the scholars of Hadith and some Ash'arites, and in some cases they are also consistent with the views of Abu Hanifa and Matridiyya or some Imamiyya scholars.

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A New Epistemological Approach to anthropomorphism and transcendence in Islamic Theology (Kalam) and Mysticism

https://doi.org/10.22054/msil.2026.88382.1208

فردین Najafzadeh, DAVUOD SPARHAM

Abstract “The issue of God’s anthropomorphism and transcendence is fundamental to theology and Kalam-Sufi epistemology, as a correct understanding of monotheism is impossible without grasping it. This fundamental importance has led to numerous debates and controversies throughout the history of Islamic thought, resulting in the formation of various sects based on this matter. Therefore, in this research, we have sought to identify the approaches to anthropomorphism and transcendence within Islamic theology and Kalam-Sufi epistemology. By examining significant theological and mystical sources, we have extracted four prominent approaches in addressing the problem of God’s anthropomorphism and transcendence: 1. anthropomorphic approach; 2.transcendent approach; 3. intermediate approach of transcendence and anthropomorphism; 4. approach of combining transcendence and anthropomorphism. Furthermore, with the aim of a more precise understanding and explanation of these approaches, we have also explored the relationship between the divine essence and attributes. Accordingly, proponents of anthropomorphism posit a relationship of “otherness” and “superfluity”, while proponents of transcendence emphasize “identity” and “viceroyalty”. The Ash’arites suggest a relationship of “subsistence”– where attributes are neither the essence nor separate from it – and the mystics advocate for a “combination of identity and otherness.” Specifically, from the perspective of the mystics, the relationship between the divine essence and attributes is based on “essential identity and conceptual otherness.” Mystics’ view on anthropomorphism and transcendence demonstrates greater compatibility with the Quran, Hadith, and religious scriptures in general, offering a more comprehensive and clearer explanation of this topic. this comprehensive perspective effectively facilitates the interpretation of seemingly contradictory narrations.”

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Symbolism of “Night” and “Cave” in Nezami’s Haft-Peykar

Articles in Press, Accepted Manuscript, Available Online from 09 May 2026

https://doi.org/10.22054/msil.2026.91197.1237

somayeh asadi, Davoud Sparham

Abstract Nezami’s Haft-Peykar is one of the works in which poetic narration functions not merely as a means of storytelling, but as a symbolic language for conveying sacred wisdom and metaphysical knowledge. Adopting an analytical–interpretive approach and an intertextual reading, the present study examines the role of the symbols of “night” and “cave” within the narrative and spiritual structure of the poem, demonstrating that these two elements play a fundamental role in shaping its symbolic and soteriological logic. Night and darkness do not signify the absence of light; rather, they represent existential degrees and liminal thresholds in the journey of human consciousness, the passage through which is a prerequisite for successive rebirths and existential elevation. The distinction between “lower darkness” and “higher darkness” constitutes a key to understanding the logic of night and is reflected in the sevenfold structure of the domes. The cave, in turn, functions as a spiritual center and locus of esoteric initiation, symbolizing symbolic death, the annihilation of individuality, and the spiritual rebirth of Bahram. The principal contribution of this study lies in offering a unified philosophical–Illuminative reading of night and cave, viewing them as structural components that organize the soteriological logic of Haft-Peykar.

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An exploration of the footsteps of mysticism in the fictional works of Iranian contemporary resistance literature

Articles in Press, Accepted Manuscript, Available Online from 11 May 2026

https://doi.org/10.22054/msil.2026.84606.1177

rasul behnam

Abstract Iranian contemporary resistance literature that Part of it was created in relation with the Holy Defense, is a appearance of the purity, faith, and sacrifice of the warriors and their purest religious beliefs. In the midst of these works, the deepest mystical beliefs also appear, and these works are a demonstration of the mystical principles that are intertwined with religious beliefs. The works of resistance literature of the Holy Defense, especially in its fictional part, have not been studied much from the perspective of the presence of mysticism and the depth of mystical thoughts, and according to the inextricable link between mysticism, warriors, and war fronts, a study on this subject was necessary. Considering this deficiency, several fictional works by writers of resistance literature in the form of stories, novels, and memoirs were selected, and the traces of mysticism and mystical ideas in these works were analyzed using a descriptive-analytical method. The results of this study show the strong presence of the principles of the mystics in these works, and these works are a collection of deep beliefs in the principles of mysticism, such as Tawakkul(trust), Fanāi Afaāli(the annihilation of actions), abandoning selfishness and vanity, Mujahidah, Rida, certainty, and the obligation of the Pir(guide) on the path, each of which is present in a part of these works.

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Analyzing the quality of the reflection of "unity of existence" and "unity of intuition" in the poems of Mahma Ghaznavi, Mastan-Shah Kabuli and Heydari voJoudi.

Volume 3, Issue 6, March 2025, Pages 173-214

https://doi.org/10.22054/msil.2025.82547.1150

tajuddin arwinpoor, mahsa Rone

Abstract In addition to political, social, moral and patriotic themes, contemporary poets of Afghanistan have also paid attention to mysticism and Sufism in their poems. The main content of the poems of Ghaznavi, Kabuli and Heydari voJoudi, three of the famous contemporary mystic and Sufi poets of Afghanistan, are also mystical and romantic concepts. The issue of "unity of existence" and "unity of intuition" has been one of the prominent themes of the poets of Afghan mysticism, especially after the appearance of Ibn Arabi, due to its special place in theoretical and practical mysticism. This research, in a descriptive-analytical method, by examining and analyzing the poetic evidences containing these themes, in the divan of the three mentioned poets, shows that in Ghaznavis poems the unity of existence and the unity of intuition with different interpretations and similes have the same meaning and He used the concept and actually considered the unity of intuition as the objective manifestation of the unity of existence. MastanShah Kabuli differentiates between the unity of existence and the unity of intuition, as he introduced the unity of existence as the principle and the unity of intuition as its subsidiary; But knowing and observing Hazrat Haq is possible only in these two ways. Heydari voJoudi also raised the issue of the unity of existence and the unity of intuition by using the language of similes, especially similes, and he, like Mastan-Shah, found the recognition and observation of Hazrat Haq possible only with existential knowledge and intuitive perception.

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A critical analysis of the mystical discourse of Hafez's poems in the play Dar Rah Mehr based on Farklaf's model

Volume 3, Issue 6, March 2025, Pages 349-382

https://doi.org/10.22054/msil.2025.81944.1143

ali karimi, parisa nasiri

Abstract One of the effective methods for studying the semantic dimensions of mystical language in literary texts is critical discourse analysis, which is a new approach in discourse analysis within literary and artistic studies. It analyzes texts in connection with the cultural and intellectual contexts. This article employs a descriptive-analytical method, extracting the mystical concepts present in the play "Dar rah Mehr," identifying important components, and then analyzing the mystical discourse of the play according to Fairclough's theoretical framework. The aim of this research is the critical analysis of the mystical discourse in the poetry of Hafez, how it is reflected in the play "Dar rah Mehr," and the identification of mystical concepts and components in this work based on Fairclough's critical discourse analysis approach and library research methods. The findings indicate that this play is among the mystical theatrical works inspired by the poetry of Hafez, where the author seeks to express mystical thoughts and ethical realms symbolically and dramatically. The results show that the play is a fictional, critical, philosophical, and ethical piece in which the author attempts to depict mystical philosophy through national sentiments and emotions in a dramatic manner. In fact, the author leans towards a type of mysticism derived from Hafez's mystical thoughts in his poetry.

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narrative Apostrophe (eltefāt) in Majāles-e Sab‘eh

Volume 4, Issue 7, October 2025, Pages 49-76

https://doi.org/10.22054/msil.2025.86697.1197

Nasrin Qaderi, Hiva Hasanpour, Seyed Asaad Sheykhahmadi

Abstract Literary texts are the manifestation of the author’s unique perspectives and expressive techniques. One of the stylistic devices that renders discourse literary is apostrophe (eltefāt), which—based on the theoretical framework of Jonathan Culler (rather than traditional Persian literary criticism)—encompasses multiple levels that connect it to the present discursive moment. This study, conducted through a descriptive-analytical method and based on library research, examines and analyzes Majāles-e Sab‘eh by Mowlavi through the lens of apostrophe. The research findings indicate that apostrophe serves as a key to understanding the significant persuasive power of Mowlavi’s discourse in this work, contributing to the exposition and elucidation of his intellectual system. Given the didactic and sermonic nature of Majāles-e Sab‘eh, the first level of apostrophe appears most prominently, as it actively engages the listener, drawing them out of passivity and into the spiritual and dramatic atmosphere of the text. The second and third levels reflect Mowlavi’s worldview of wahdat al-wujūd (the unity of being), wherein all creatures possess consciousness and a right to life. The fourth level reveals Mowlavi’s restlessness and spiritual fervor, while the fifth level reflects deeper self-awareness and introspection.

An Introduction of Some Indian Mystics of Shath Speeches Based on Dara Shikoh’s Hasanat ul-Arefin

Volume 1, Issue 1, June 2022, Pages 163-185

https://doi.org/10.22054/msil.2022.59185.1016

elham roostaei rad, maruam hoseini

Abstract The history of mysticism and Sufism, like other histories has many unspoken issues that have not been addressed and revealed yet. Although the biographies and works of many mystics are recorded and accessible in the books of Tazkerat al-Awliya and the Tabaqat al-Sufia; but in order to obtain opinions and thoughts of anonymous mystics, who might have lived with a special position in their time, there is an urgent need to study ancient memoirs and texts. Due to the important period of cultural, political and literary exchange between Iran and India and Sufis, poets and artists traffic between the two countries, a significant part of Persian cultural capital is available in some Hindu works that deserve attention and research. Based on the Hasnat
ul-Arifin by Dara Shikoh, the Indian prince (AD 1069). this research introduces some of the famous mystics of that time who remain anonymous nowadays. Mystics such as: Khajeh Ali Ramtini, Sheikh Kabir, Sheikh Hussein Dehdeh, Sheikh Sharafuddin Pani Petahi, Sheikh Farid Shokranj, who had excellent Shath speeches.

A Comparison Between Mullah Ahmad Naraghi’s Taqdis Masnavi and Rumi's Masnavi in Terms of Form and Content

Volume 1, Issue 1, June 2022, Pages 107-141

https://doi.org/10.22054/msil.2022.57373.1002

morteza koshniyat, Shahrooz Jamali

Abstract This article entitled a “comparison between Molla Ahmad Naraqi's Taqdis Masnavi and Molavi's Masnavi” examines and analyzes mystic, ethical and Kalamic statues of these two works, from the perspective of common forms and content. In this resreach anecdotes, themes, thoughts and common views of the two works were extracted and then analyzed. Common mystical stations are detected in most themes. Despite the commonalities in presenting the beliefs, Hadithes and Verses used in the two works, there are differences between them in some cases. In Taqdis Masnavi, despite being inspired by Rumi's Masnavi, there are allegorical stories that do not exist in Masnavi. Mullah Ahmad Naraqi’s Kalam is taken from the basic principles and sub-principles of Shiite mysticism, which is combined with practical mysticism and conduct, and clearly stated within the framework of the principles of Sharia and also mystically expressed in a restrained way. Although Kalam does not have the same steadfastness and mastery as in the Masnavi, but it has a high position among Shiite poem and Persian language and literature and is far from any advocacy of a superstitious sect or false thought.

Moamelat in Sufism and Sufis’ Views on It

Volume 1, Issue 1, June 2022, Pages 143-162

https://doi.org/10.22054/msil.2022.58040.1013

sajjad rajayi, حمیدرضا خوارزمی, Amir Jahadi

Abstract In the view of Sufis, Moamelat refers to the practices and manners they adhere to during their spiritual journey and conduct (Soluk). The purpose of this study is to provide an answer to this question: in what terms are Moamelat used and what is the reason for the difference in Sofia’s view of the term? Thus, available books on promoting Sufism perspectives and follower training were reviewed and it became clear that the concept of Moamelat and its singular form, Moamela and Moamelat, have been rendered differently by Sufis based on text concept and have been used as conducts, worships, manners, customs, and so on. Furthermore, each author sees distinctions and parallels in the structuring of conduct. The data were evaluated qualitatively in this study using comparative and descriptive methodologies. From the point of view of mystical thinkers and writers, there is no theoretical commonality about Moamelat and this difference is due to the fact that this debate is a matter of taste and also the lack of a reliable resource in the Qur'an and Hadith and therefore, each of the Sufi elders has used a special method to train the disciples according to their current situation.

Typology in Mysticism Studies

Volume 1, Issue 1, June 2022, Pages 187-203

https://doi.org/10.22054/msil.2022.58193.1014

S.Mahdi Zarghani

Abstract What is the genre-based approach and how can it be used in mysticism studies? These are the main questions of the present study. This article first defines the genre and implements a critical analysis of its various definitions to reach an integrated definition that is the closeted one to the Persian writings. Next, these questions are answered: what is typology and who is a typologist? The essence of typology, how different literary knowledge can be adopted in this approach and the difference between typology and other literary approaches are among the focal points of this study. Eventually, the typology of writings, amongst mystical writings, while having similarities with other literary approaches, can be considered as an independent branch of literary studies. The research method adopted for this study is library research method and the technique used therein is descriptive-analytic.