Document Type : Original Article
Author
Associate Professor of the Department of Persian Language and Literature, Payam Noor University, Tehran. Iran
Abstract
Death is one of the most unsolved mysteries and mysteries that man has faced throughout the ages and it can be said that it has been the main concern of thinkers and the teachings of all divine religions. Different classes, including philosophers, mystics, and poets, have different approaches to death and have presented different opinions about what it is. Bidel is one of the mystic poets of the eleventh and twelfth centuries, who has a special and frequent view of this issue. In all his works, love of death has been given a special effect with the use of pristine images, and in fact Bidel considers death to be on the path of the cycle of evolution and one of the most important stages of evolution. The present essay tries to give a descriptive-analytical answer to the fundamental question of how Biddle approaches the issue of death and what interpretations and artistic tricks does he use to explain its nature and what it is and to convince the audience? The results of the research show that Bidel ,as a poet and mystic of existential unity, not only has no fear of death, but also praises it and has a romantic approach towards it And in this direction, to explain and make concrete the desirability of death, from definitions such as freedom from prison, reaching the beach of salvation, climbing the ladder, ....
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