Document Type : Original Article
Authors
1 Faculty member
2 PhD student of Persian language and literature at Allameh Tabatabai University
Abstract
Persian mystical ghazal is a combination of earthly romantic and transcendental mystical situations that the poet tries to present to his audience through linguistic arrangements and imaginary images. Maulana Jalaluddin Balkhi is the greatest mystic ghazal writer in the history of Persian mystic poetry, who has been able to express his spiritual worlds in the form of ghazal in the best way. Since the lover in mystical poetry has attributes that are borrowed from earthly love poems, in many mystic sonnets, the audience gets confused between the choice of earthly and heavenly lover. Identifying the beloved types of Persian poetry by relying on its existential fields along with adopting a suitable research method in which the position of the experiencer, the subject of the experience, the content of the experience and the linguistic structure of the narrative are studied in a structural relationship can overcome this confusion. In the present research, after introducing the types of lovers in Persian poetry, according to its existence, one of Rumi's sonnets was studied in the proposed structure, and while showing the relationship between the above-mentioned four components in the interpretation of the sonnet, it was determined that the sonnet lover is "colorless and unmarked", an earthly lover. It is with the existential dimension of theology.
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