Document Type : Original Article
Author
Member of the scientific faculty of Razi University
Abstract
Its hint and application is image-creating and causes a change of style and creation of a personal style. Religious, historical, mythological and epic ideas and points are the mouthpieces of poets' allusions, and Attar is one of the poets who has many religious allusions, but he has not stopped paying attention to epics and myths. In the usual manner of the Sufis, he has turned to interpretation in most of the references and hints to the names and titles of the prophets and has brought them up according to his own inclination, desire and need. In Diwan Attar, the religious allusion of the story of Yusuf (PBUH) and the epic allusion of the story of Rostam have been used a lot. By examining the interpretations of these two stories in Attar's court, this descriptive-analytical essay has answered the question of how and to what extent Attar interpreted these two stories. Meanwhile, the symbolic-allegorical basis of Attar's Masnavies reinforces the assumption that he is a tavilist. The findings show that Attar's interpretations of these two stories are sometimes flattering and have a didactic tendency, and in three areas: words, character of people and the story as a whole (in opposite or different meanings from the first meanings), It happened. Attar uses epic and mysticism as the two sides of the coin of Iranian identity and shows that along with mysticism, the epic spirit is still alive in the 6th-7th centuries and part of the people's thoughts and imaginations is order gives
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